I create abstract paintings as a way of translating inner experience into form-emotion, silence, struggle, meaning.

VeloraFineArt is where I share my work directrly with collectors in Canada and around the world.

In my practice, I begin by letting go of control. I allow natural forces—gravity, fluidity, and the physical behavior of paint—to guide how colors move across the canvas. This process is rooted in the belief that meaning does not need to be imposed. Instead, it emerges through existence—through what unfolds in real time, without forcing a predetermined outcome.

By embracing the physics of art, I treat the painting as a living event. Paint density, momentum, and flow become active participants in the work. I create the conditions, but I do not dictate every result. Through this collaboration, spontaneous harmonies appear—forms that feel discovered rather than designed.

This approach mirrors the nature of reality itself: always shifting, always transforming. I am drawn to impermanence—not as something to resist, but as a source of beauty. In my paintings, change is not a disruption; it is the language of the artwork. The surface becomes a space where chaos and order coexist, where contrasts find balance, and where unexpected structures arise from movement.

Nature is one of my deepest influences. I often think of a river carving its way through rugged mountains—quiet, patient, and unstoppable. That same effortless power lives in the flow of pigment. I allow chance to shape patterns the way wind shapes landscapes: naturally variable, unpredictable, and authentic.

Light and darkness also play a central role in my work. Their tension creates a dialogue—an organic rhythm that reflects the complexity of existence. Within this dance, I search for unity: a sense that opposing elements can coexist without canceling each other, and that harmony can be born from contrast.

Ultimately, each artwork represents a journey rather than a destination. It is a moment where intention meets surrender—where the impulses of nature and the hand of the artist reach a silent agreement. My paintings are not meant to provide fixed answers. They invite reflection, presence, and a quieter kind of seeing.